| Elegance of the Hedgehog by Muriel Barbery In this supple novel of ideas, a best-seller in France, the unschooled middle-aged concierge of an upper-class Paris apartment building acts like a stereotypical concierge, leaving the television on all day and sharing her quarters with an old, fat cat, but she secretly consumes vast quantities of literature. A few floors above her, the brilliant and prematurely disillusioned twelve-year-old daughter of a “holier-than-thou-left-wing-intellectual” family is planning arson and suicide, unless she can find something worth living for beyond the “vacuousness of bourgeois existence.” Unbeknown to each other, the two autodidacts share an allergy to grammatical errors (the concierge considers a misplaced comma an “underhanded attack”) and a love of tea and moments of ineffable beauty. Barbery’s sly wit, which bestows lightness on the most ponderous cogitations, keeps her tale aloft. -The New Yorker
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| Monsters of Templeton by Lauren Groff One dark summer dawn, at the very moment that an enormous monster dies in Lake Glimmerglass, twenty-eight-year-old Willie Upton returns pregnant and miserable to her hometown of Templeton, N.Y. Willie is a descendant of the creator of the town, Marmaduke Temple, and she expects to be able to hide in the place that has been home to her family for centuries. But the monster changes the fabric of the village, and Willie's mother, Vivienne, has a surprise for the girl that will send Willie careening through her family's history to dig up clues about her heritage. Spanning two centuries and based on Lauren’s hometown of Cooperstown, New York., the story is told through two centuries of voices, from Templeton ghosts to residents, masters to servants, natives to interlopers, and historical figures to literary characters.
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| Collaborator of Bethlehem by Matt Baynon Rees For decades, Omar Yussef has been a teacher of history to the children of Bethlehem. When a favorite former pupil, George Saba, a member of the Palestinian Christian minority, is arrested for collaborating with the Israelis in the killing of a Palestinian guerrilla, Omar is sure he has been framed. If George is not cleared, he faces imminent execution.
Then the wife of the dead man, also one of Omar Yussef’s former pupils, is murdered, possibly raped. When he begins to suspect the head of the Bethlehem al-Aqsa Martyrs Brigades is the true collaborator, Omar and his family are threatened. But as no one else is willing to stand up to the violent Martyrs Brigades men, who hold the real power in the town, it is up to him to investigate.
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| Dreamers of the Day by Mary Doria Russell “I suppose I ought to warn you at the outset that my present circumstances are puzzling, even to me. Nevertheless, I am sure of this much: My little story has become your history. You won’t really understand your times until you understand mine.” So begins the account of Agnes Shanklin, the charmingly diffident narrator of Mary Doria Russell’s compelling new novel, Dreamers of the Day. And what is Miss Shanklin’s “little story?” Nothing less than the creation of the modern Middle East at the 1921 Cairo Peace Conference, where Winston Churchill, T. E. Lawrence, and Lady Gertrude Bell met to decide the fate of the Arab world–and of our own.
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| People of the Book by Geraldine Brooks Inspired by the true story of a mysterious codex known as the Sarajevo Haggadah, People of the Book is a sweeping adventure through five centuries of history. From its creation in Muslim-ruled, medieval Spain, the illuminated manuscript makes a series of perilous journeys: through Inquisition-era Venice, fin-de-siecle Vienna, and the Nazi sacking of Sarajevo. In Year of Wonders and March, Geraldine Brooks demonstrated an uncanny ability to hear and transmit the voices of a seventeenth century Derbyshire maid and an nineteenth century American abolitionist. People of the Book is filled with unforgettable voices from the past, but it is Hanna’s voice—edgy, contemporary—that makes People of the Book a compulsively readable adventure story that transcends the usual boundaries of historical fiction.
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